Bond Films (Jim Smith
& Stephen
Lavington, 2002, Virgin Books)
I love the Virgin series of film
books. While very accessible, those I
have read in detail (this volume and Jim Smith's George Lucas)
are thoroughly researched and have a lot to offer een those who already
know the material well. This volume on Bond cinema shares the
heading-driven format common to the series, but it rises above the
beginner's primer that the look of the book leads you to expect. Smith
and Lavington know their material
well enough to offer their opinions with confidence, and the result is
a
robust critical analysis of this important series. The sections
relating to
the early films' adaptations of the novels are particularly solid. This
is
where poor research would have vshown up, but instead the authors know
the
books well enough to argue persuasively that the early films were not
only
essentially faithful to the Fleming novels, they frequently improved on
them.
Another sign of good research (so rare in film books aimed at a mass
audience)
is the puncturing of received wisdoms: they frequently question the
apocryphal
stories that a lesser text would have recycled verbatim. This is the
best
of the several books available on the Bond films.