Odds & Ends
Wednesday, May 07, 2008
Iron Man 2: Early Review
I saw Iron Man the other day. I enjoyed it, but don't have enough to say about it to warrant a full review. Suffice to say it reminded me a lot of the first Spider-man film; well-written, with good characters and performances and a healthy sense of conviction in the exercise by all involved, but at the same time lacking the really big show-stopping scenes that would have made it more memorable (the climax is really just two guys in metal suits punching each other.) It made me think of these comments by Paul Rameker in an article I've linked to before, over at David Bordwell's page:
I would second all that and also add that these days, the sequel will get more money spent on it than the original; this and the more straightforward stories allowed once the "origin" story is out of the way means the second film in a series can usually be more action-focused. (Yes, this is a good thing.) The old idea that sequels gradually fade away in terms of quality should be considered completely dead, at least as far as first sequels go; third films in series remain much dodgier propositions. Another example: the Bourne series, which - whatever you think of it's hyperkinetic style - really only emerged as the default reference points for action filmmaking when the sequels appeared. Thus I'm excited about Iron Man 2 (Iron Men?), assuming the first film does well enough to warrant a sequel, and that they can keep Robert Downey Jr interested and out of jail. I fully expect to better than Iron Man, just as I'm looking forward to The Dark Knight (despite not being amongst those who consider Batman Begins a gold standard for comic book blockbusters) and Quantum of Solace (which is very much a first sequel in the reborn Bond series that began with Casino Royale). Speaking of which, here's the new trailer for The Dark Knight, featuring lots of the late Heath Ledger. His performance looks incredible, and surely show-offy enough to get a posthumous supporting actor Oscar. Labels: batman, bordwell, commentary, sequels, snobbery, superheroes, trailers Posted by Stephen Rowley @ 7.5.08 - 2 comments  
Monday, May 28, 2007
An Article So Good You'll Want a Sequel
One of my happy discoveries of the last few months has been that David Bordwell has his own website (with longtime writing partner Kristin Thompson); Bordwell is one of the best film academics around, and his writing is always stimulating. (I also have his latest book The Way Hollywood Tells It on my shelf waiting to be read - only the fact that it arrived with Michael Barriers' The Animated Man and J.W. Rinzler's The Making of Star Wars has kept me from it). One thing I enjoy about his writing is that he avoids the same complacent narratives you hear all the time. He knows his film history and film art better than anybody - he's co-author of Film Art and Film History: An Introduction, the books from which just about everybody else learnt what they know - and he doesn't just settle for the simple familiar story we always hear. So, for example he and some similarly minded colleagues have responded in this article here to the common refrain that sequels are the ultimate creative cop-out, that Hollywood just wants to sell us the same idea over and over again, blah blah blah. (Bordwell is too polite to put it quite this way, but for my own money the way the film press tediously recycles this basic premise every American summer is as good an example of autopilot as the summer sequel season itself). To give you just a sample, here's Paul Ramaekar quoted in the above linked piece: I have a theory. In the contemporary comic-book blockbuster, the sequels will always be better than the first entries. Spider-Man 2 is better than Spider-Man, X-Men 2 is better than X-Men, and I will bet that The Dark Knight will be better than Batman Begins, just as Batman Returns was better than Batman. The pattern seems to me to be that the first film in the series is relatively impersonal - the franchise must be established as a franchise, meaning that few boats will be rocked, and the director must prove that they can handle both a film on that scale, and can be trusted with the property with all the investment it represents. I just wish a few more of the film academia or general press could bring themselves to move past their preconceived notions of creative bankruptcy into this kind of engagement with what Hollywood actually does. Labels: bordwell, commentary, sequels Posted by Stephen Rowley @ 28.5.07 - 0 comments
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