Odds & Ends

Monday, October 19, 2009

John Lasseter's Where the Wild Things Are
It's nice to see Spike Jonze's Where the Wild Things Are getting some love (see here) and opening well (see here). I posted the trailer for the film back in May and remain feverish in my anticipation. (It opens in Australia at the start of December). It's not just that I admire both the book, and Spike Jonze, it's also that the trailer gave the distinct impression - now also being supported by some of the reviews - that Sendak has approached this not so much as a kids film but as an all-ages film that is about about childhood. That's a really interesting and rewarding avenue that isn't explored often enough, presumably because studio bosses think it is likely to confuse people about whether the film is for kids or adults. (Never mind that one of the most commercially successful films ever made is exactly such a film). The reviews (even some of the less positive ones) give me increased hope that it was timidity, not real problems with the material, that caused the studio to delay the release of the film for so long.

I won't post the link to the wonderful second trailer, since that's in all the Australian cinemas right now. Instead, here's some test footage of an aborted Disney adaptation directed back in 1983 by none other than future Pixar supremo John Lasseter. The footage itself is nothing special - a kind of show-offy exploration of how computers would allow animation to more freely play with depth - but it's an interesting glimpse at an intriguing mix of artistic sensibilities. I have a lot of regard for Lasseter, and for good Disney, but you have to wonder whether the studio was in any creative state to deal with a masterpiece like Sendak's book in 1983.

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Sunday, November 09, 2008

Up Trailer Up
Here's the new trailer for Pixar's Up:



I like this a lot. As many others have noted - as early as the appearance of the first concept art - this whole project has a strong Miyazaki vibe. Again, Pixar seem willing to nudge their material in a slightly more whimsical direction: perhaps they did, in fact, learn something from their excursion into formulaic mediocrity with Cars.

For an intriguing comparison, compare it to the much more conventional looking Bolt, from the Disney side of the merged Disney / Pixar hybrid:



Bolt was started before the merger of the two studios; there was some gorgeous early art and test footage released when the film was known as American Dog, before the original director Chris Sanders was booted from the project (read Cartoon Brew's report about that here; and some of the concept art can be seen here). Now it looks much less interesting, and in fact much of the character design - particualrly Bolt himself - is downright ugly. Who knows what to make of this (or the similar removal of Glen Keane off the helm of Rapunzel Unbraided); certainly some seem to have had trouble reconciling such apparently hard-headed corporate behaviour with John Lasseter's carefully cultivated nice guy image.

I can buy the idea that scrapping everything and starting over might become necessary, even if they need to fire the director. But the Bolt trailer makes it look very much of a piece with every other animals-on-an-adventure animated film we've seen in the last few years. Meanwhile, the Pixar films seem to be gaining some licence to do some slightly different things. Perhaps the head honchos at Disney / Pixar see Disney as being the kids label and want to differentiate Pixar as the more boutique / adult / risk-taking brand?

Of course, that's a lot more speculation than two brief trailers can sensibly stand. We'll have to wait and see.

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Thursday, May 10, 2007

The Trademark Infringiest Place on Earth
We are living in a golden age of intellectual property theft. But you have to hand it to people who can steal not just a piece of music, not just an unlicensed image of a character, not just a digital copy of a movie... but a whole amusement park. Yes, it's the unlicensed Chinese Disneyland.



The park even has a song that rivals "It's a Small World" in the irritation stakes (and which far outdoes it in lyrical audacity):



Although they could just be laughing their way to the bank.

(Spotted at Cartoon Brew).

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