Odds & Ends

Sunday, November 09, 2008

Up Trailer Up
Here's the new trailer for Pixar's Up:



I like this a lot. As many others have noted - as early as the appearance of the first concept art - this whole project has a strong Miyazaki vibe. Again, Pixar seem willing to nudge their material in a slightly more whimsical direction: perhaps they did, in fact, learn something from their excursion into formulaic mediocrity with Cars.

For an intriguing comparison, compare it to the much more conventional looking Bolt, from the Disney side of the merged Disney / Pixar hybrid:



Bolt was started before the merger of the two studios; there was some gorgeous early art and test footage released when the film was known as American Dog, before the original director Chris Sanders was booted from the project (read Cartoon Brew's report about that here; and some of the concept art can be seen here). Now it looks much less interesting, and in fact much of the character design - particualrly Bolt himself - is downright ugly. Who knows what to make of this (or the similar removal of Glen Keane off the helm of Rapunzel Unbraided); certainly some seem to have had trouble reconciling such apparently hard-headed corporate behaviour with John Lasseter's carefully cultivated nice guy image.

I can buy the idea that scrapping everything and starting over might become necessary, even if they need to fire the director. But the Bolt trailer makes it look very much of a piece with every other animals-on-an-adventure animated film we've seen in the last few years. Meanwhile, the Pixar films seem to be gaining some licence to do some slightly different things. Perhaps the head honchos at Disney / Pixar see Disney as being the kids label and want to differentiate Pixar as the more boutique / adult / risk-taking brand?

Of course, that's a lot more speculation than two brief trailers can sensibly stand. We'll have to wait and see.

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Thursday, November 06, 2008

Bullies
Linked to the topic of this page because it relates to film scholarship is the news that Thomson Reuters have filed a lawsuit against Zotero.

As I've written before, I've been using Zotero since I returned to study. I actually get free access to Thomson Reuters' very expensive Endnote software, but have chosen to use Zotero because it's better. I have been building a database of articles using Zotero, and used its Word plugin to manage my citations when I did the first chapter of my Masters. It's fantastic, with the citation management in my document completely seamless and trouble free, and its information capturing abilities (grabbing citation details from library catalogues, journal databases, and other such sources) invaluable.

In short, its brilliant. Given it's a free product, and Endnote costs several hundred dollars, you can see why the Thomson Reuters are worried. While I have no insight into the legalities of the case, what Thomson Reuters are doing certainly seems intuitively unjust: they're accusing Zotero of misusing Endnotes' file formats by reverse engineering them. This hits at the ability of Zotero to import and export Endnote's data files [edit - this probably should just say "read", not "import and export" - see corrections in the comments]: it's roughly the equivalent of Microsoft going after OpenOffice for its ability to open and save Word files. Thomson Reuters' statement about the suit says that they "are absolutely a proponent of interoperability and easy data sharing provided contracts are not breached and intellectual property is respected." Which is a bit disingenuous when the contract they don't want breached is a contract preventing interoperability and easy data sharing.

There's some interesting background and discussion here, here, here, and here. The comments of Mike Madison are particularly interesting (and depressing):
I don't use the software, so I'm speculating a little bit: It looks like the timing of the complaint, and this extraordinary demand to kill Zotero functionality for Zotero users, is related to the imminent release of a Zotero update that would create a shared Zotero commons. Zotero users could easy share their source data with other Zotero users. The complaint challenges the heart of the scholarly research enterprise, the premise that knowledge should be available to all and shareable by all. Thomson/Reuters would like to say, apparently, that if you put that knowledge into EndNote, then Thomson/Reuters is your gatekeeper. That's shameful.
Thomson Reuters' complaint itself is here.

In the meantime, I suggest any academic type readers I might have spread the zotero word (you can get it from the link below), and urge their universities to promote Zotero and / or cancel their EndNote site licenses.

Get Zotero

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Tuesday, November 04, 2008

Obamarama
I occasionally feel like I should just give up on cinephobia.com and just re-register this site under the domain name www.pointingoutgreatstuffDavidBordwellwrites.com. As I said at the start of October, other writing and projects have been taking me away from the website. But I can still find time to point out something good that Bordwell has written. This time, it's his fantastic post looking at the US election campaign, and the attempts by Republicans and Democrats to shape "narratives" around the candidates, from the point of view of one of our foremost theorisers of cinematic narrative. Head on over: it's a great read.

A far less intellectually rigorous link between the election and films was offered by the inimitable Shaun Micallef on Newstopia:
Watching it all unfold over the last twelve to eighteen months, it struck me how similar it is to the film Trading Places. An elaborate social experiment with Barak Obama in the Eddie Murphy role, elevated to a position of great power and influence in a normally Anglo-Saxon world. John McCain is the Dan Aykroyd character: moneyed, born to rule, and forced to work with a woman he normally wouldn't be seen dead with. In the end, the combined efforts of Obama / Murphy and McCain / Aykroyd wipe out the share value of all the stocks owned by the people who put them where they are.



But the final word on this election (and this, my most instantly out-of-date post ever) will always go to Jon Stewart.


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