Odds & Ends
Sunday, February 11, 2007
Ward Kimball, 1968
Michael Barrier has pointed out an interesting footnote to animation history posted on YouTube: a 1968 protest short by Ward Kimball. Kimball was a lead animator at Disney, one of the so-called "Nine Old Men" who formed the core of the studio's staff in its mature period through to its seventies nadir. The most overtly comic of the Nine Old Men, he was lead animator for such characters as Jiminy Cricket in Pinocchio and the crows in Dumbo, and directed Disney's Oscar-winning experiment with stylised animation Toot, Whistle, Plunk and Boom (1953). In 1968, on his own time, he directed Escalation, an anti-war, anti-LBJ short that makes scatalogical reference to Pinocchio. It couldn't be further from stereotypical Disney family values. A mild adult content warning applies. What I find interesting about this is how it flies against the typical perception of the conservativism (both artistically and politically) of the Disney studio. Whole books have been written about the studio's ideological conformity, and there remains a fairly lazy streak of writing that constantly asserts the implicit equation Disney = family values = boring. Of course, Escalation is a private project, not a studio-sanctioned film, but I still think it's interesting that in 1968 (perhaps the definitive year of the sixties counter-culture), one of the studio's senior animators, a family man in his fifties, made a bawdy political film that became an underground hit amongst college students. Kimball often struggled to find ways to express himself at Disney, and as the studio's films became more staid during the 1950s he increasingly struggled for outlets. Yet even if the studio sometimes suppressed its staff's more adventurous instincts, it was full of people of enormously high calibre and creative ability. That's why the best Disney stuff (from the 1930s and 1940s) is so much more interesting than many critics - often, it seems, judging it from half-remembered viewings as children, or not distinguishing the strong periods from the weak - give it credit for. Labels: commentary
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This page is for assorted musings and editorialising that don't fit elsewhere on Cinephobia. Run for Your Life, Maximus I Quit on You When You Cleared Out of Detroit with... Trumping Kane They're Coming to Get You, Barbara What I Want for Christmas Next Year The Daily Grind Die Hungry The Monkey Remark March of the Dorkofascists December 2003 May 2004 December 2004 January 2005 February 2005 March 2005 April 2005 May 2005 June 2005 July 2005 August 2005 September 2005 October 2005 November 2005 December 2005 January 2006 February 2006 March 2006 April 2006 May 2006 June 2006 August 2006 September 2006 October 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 August 2007 September 2007 October 2007 December 2007 January 2008 February 2008 March 2008 April 2008 May 2008 Want to contact me? |