Odds & Ends
Saturday, February 19, 2005
Buggered Bunny, Part 2
As a follow-up to Thursday's post, here is the full line-up of Loonatics: ![]() At the risk of devoting too much time and thought to a show that will quickly flop and be forgotten, Amid Amidi at Cartoon Brew followed up Jerry Beck's post with an interesting take: A friend last night made this perceptive comment about the new Looney Tunes-inspired TV series LOONATICS: "Warners has already desecrated these characters so many times, why the hell would anybody care at this point?" That pretty succinctly sums up how I feel about the new series. When you've had BABY LOONEY TUNES, DUCK DODGERS, SPACE JAM, LOONEY TUNES: BACK IN ACTION, and the new Looney Tunes theatrical shorts that were so atrociously incompetent that Warner Bros. declined to publicly release them, why would audiences suddenly, now of all times, feel an urge to get up in arms over this particular misinterpretation of the Warner stock company. Let's face it, Warner Bros. cartoons were done and over with forty years ago. Isn't it about time we rid ourselves of this unhealthy fetish for geriatric cartoon characters? We can enjoy them and appreciate them anytime we want on the Looney Tunes Golden DVD collection and in any number of revival screenings. Shouldn't that be enough? Chuck, Friz, Tex; they're all dead and don't give a rat's ass about what's going on. Why should we? It's pointless to shed tears because Beloved Bugs is now named "Buzz Bunny" (apparently after a popular women's sex toy) and drawn anime-style by some white boy who's watched one too many episodes of FLCL. My problem with this argument - apart from the fairly gratuitous references to Bugs as "tired," "geriatric," etc - is that I don't buy that a project like this happens instead of some inspired new work by an up-and-coming animator. The last few decades have seen plenty of inspired animation, and it hasn't been threatened by the presence of the low end of the market: crappy superhero cartoons made for TV. The problem is when you pull the classic characters down to that level and deface them. That said, I'm actually not that worried or offended about things like Loonatics. It's more funny than offensive. (I think I would feel differently if it were hard to get hold of the originals, but Disney and Warner Brothers are being pretty good about releasing their classic cartoons uncut on DVD). But I don't accept Amidi's take that the characters should be put out to pasture either. What I'd like to see is some quality new work done with Bugs and the rest. After all, in the classic Warner days, the characters were handed from one director to another, with different approaches to them over a couple of decades. Chuck Jones's Daffy of the fifties was very different from Bob Clampett's in the thirties. It would be nice if Warners could could continue that tradition by doing quality new Looney Tunes cartoons, and seeing if new artists could spark with them in new and interesting ways. Good new work with old characters doesn't stifle opportunity for new artists and new characters: it creates it by fuelling interest in animation across the board. When the legacy of an animation studio is in healthy shape and reaping rewards, it just creates new opportunities for other original work to occur also. What started the 90s animation boom? It was the revival of forties animation in Who Framed Roger Rabbit? and the rebirth of the classical Disney tradition with The Little Mermaid, Beauty and the Beast, and the rest. And despite the fact that boom superficially seems to have ended in disaster, those fairly old-fashioned cartoons did indirectly lead the way to all sorts of interesting stuff: the Pixar films, The Simpsons, South Park, Futurama... A healthy nostalgia market for classic animation is, I think, good for the industry as a whole. And finally, before I sign off on this subject once and for all, you can enjoy the mind-boggling Loonatics promo film here. Labels: buzz bunny
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